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Please ask if you would like additional photos or more in-depth descriptions. All items being offered on this website have appropriate provenance and are legal to buy and own under the United States statute covering cultural patrimony Code 2600, Chapter 14. It is quite remarkable that this very large vessel has never been broken. Originally acquired by Chris at a charity auction in Pasadena, CA in the 1970s. These Inca examples are all of similar shape and made of hammered copper. Ample deposits present; a few small areas of white caliche encrustation on one side. Their art shows strong Olmec and Tlatilco influence as is seen in the prominent lips and pierced eyes. A nice example from one of Mesoamerica's earliest cultures. The top section is divided into quadrants each with a central figure. The spout is in the form of a penis with the strap handle attached to the side. One whistle has been returned to working order, the other is non-functioning. The Abrams made their fortune in the publishing business and were avid collectors of fine art and artifacts. Much of their collection was donated to numerous museums. Constructed of reddish earthenware covered overall in a cream slip with red, orange and black painted designs, typical of the type. Approx 4.5" tall x 6.5" across 5 — West Mexico 200 BC - 100 AD A Chinesco seated female figure from the Nayarit region of Western Mexico. The two shown here are incomplete; each is missing a portion of one side. The beaded feather assemblages are repeated along the top of the headdress along with tassels and circular appliques with carved geometric designs. In one hand is a spherical object, likely representing a pottery vessel. 0 — Ecuador 300 BC - 500 AD A Bahia vessel from ancient Ecuador. 0 — El Salvador 400 AD - 700 AD A Maya glyph bowl dating to the Classic Period. Both arms are extended upward in a welcoming gesture. 00 — Peru 900 AD - 1200 AD A Chancay woven textile panel from ancient Peru. The central image is divided by a red band, half in a curving serpent-like design, the other half in a basket-weave pattern. The lower half of the vessel has incised geometric designs known as the 'flame-brow' motif. The flame-brow design originated on Olmec pottery from approximately 1000 years earlier and has also been seen on Maya vessels of eastern Mesoamerica. The surface is an orange buff terracotta with a few areas of fire clouding. A superb example that is larger than most of this type and displays dramatically. An incredibly rare matched set that are massive in size. This very thin-walled vessel shows expert craftsmanship; exceptional construction and is nicely painted with red linear designs against a golden yellow ground. The rounded spherical lower chamber sits on pointy, cone-shaped tripod legs. Surface shows minor wear and paint loss with light erosion, all consistent with age. Large figures of shamans, such as this one, are indicative of their high status in Jamacoaque culture and are often depicted displaying their ceremonial paraphernalia as symbols of power. There are light stains (sticker residue) on both sides. Included is a small, but lovely Maya stone celt, also from the Classic Period. Pendant - Approx 6" tall x 3.5" across x .25" thick. Celt - 1.75" long x 1.25" across x 3/8" thick 5 for both — Costa Rica 200 AD - 600 AD Two Costa Rican Axe God celts (pendants) from the Guanacaste/Nicoya region. It depicts an anthropomorphic figure with hands across the chest. Just under 9" across x 3" tall 0 — Costa Rica 1200 AD - 1500 AD Large Costa Rican "Castillo Incised" blackware tripod rattle vessel dating to the Late Period. 0 — Costa Rica 400 AD - 700 AD Very large Costa Rican tripod rattle vessel from the Central Highlands - Atlantic Watershed Zone, dating to Period IV-V.
Every purchase comes with a written certificate of authenticity (COA) and are fully guaranteed to be as described. Shipping options are USPS Priority Mail, UPS Ground and Fed Ex. — Mexico 200 AD - 750 AD An exceptional Teotihuacan vessel dating from the late Tlamimilolpa Phase to the early Metepec Phase. Its size, form and condition make this an amazing example that displays dramatically on the custom metal stand which is included. There are three sizes here, possibly representing different monetary denominations. The surface is also slightly clouded by a salt-lime haze which could be cleaned, but is currently in original, as found condition. The figure is shown seated with one arm outstretched, the other curled to the chest and is wearing a broad collar (necklace), turban style headwrap and large circular earspools. A small portion of the headdress has also been restored, otherwise intact. Two human figures with arms held upward and wearing crescent shaped 'solar' headdresses along with two monkeys (or felines) shown in profile also wearing solar headdresses. At the base of the handle are two ball-shaped objects (appearing as testicles) which form the whistles. A crack in the main body has been stabilized and restored. Minor scrapes and dings present along with deposits and some fire clouding. The remainder was later sold through various art auctions in NYC. A flared bowl sits atop three large jaguar heads, each containing their original rattle balls. The figure is of hollow construction with red, tan and black painted and burnished surface. 0 — Peru 400 AD - 600 AD A large and impressive Moche Phase IV portrait vessel from the Northern Coastal region of ancient Peru. 50 — Costa Rica - Panama 1100 AD - 1450 AD An unusual pottery vessel in the form of an armadillo. 5 — Peru 1000 AD - 1400 AD A Chancay painted bowl from ancient Peru. Outside of the obvious losses, they are intact with nice deposits. The face and hands are painted in yellow-gold pigment, otherwise covered in a cream-tan slip with deposits and some root marks present. Assembled from original pieces (as is common) with break lines restored and minor losses replaced. In the other hand is a five-lobed ceremonial rattle. 0 — Peru 700 AD - 1000 AD A rare Wari aryballo (water transport vessel) from ancient Peru. The vessel is rounded with a flat bottom and has a flared spout. Rounded bottom with corseted sides; an elegant form. He (she) smiles widely exposing filed teeth and has almond shaped eyes. It depicts a central band of stylized birds with rows of waves (water motif) at the top and bottom. The gently curving sides of the bowl are finely painted in diagonal stripes. The back is completely painted with parallel lines in black on tan. Assembled from approximately six original pieces with breaklines partially restored and slightly visible. The cream colored surface is nicely burnished inside and out with areas of orange and black (fire clouding) on one side. Assembled from three original pieces with breaks restored. Minor surface wear, dings and scratches along with light deposits consistent with age. By far the largest examples of this type I have ever seen. Condition is very good, near excellent with a small hairline crack and minor rim chips restored. Around the top of the lower chamber is a band of incised decoration done in a repeating triangular pattern. 7.25" tall x 7" across 50 — Mexico 300 AD - 400 AD A medium-large Teotihuacan tripod vessel dating to the Early Xolalpan Period. Constructed of tan terracotta with orange pigment on the face and nose ornament. Carved from green speckled stone with earthen deposits. The headdress is two alligator heads facing outward. Restoration to the corner of the head and one foot. The exterior is nicely incised with complex geometric patterns. It has pierced tapered tripod legs, each containing numerous small rattle balls.
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A barrel-form vessel with cylindrical body topped by loop handles and flared spout. The arms and legs are diminutive; one hand is holding a long tendril that extends up one side and past the rim. The scene on both sides of the vessel depict the Moche Protector God (Ai Apaec) in combat with the underworld Decapitator God. Both are very heavily cast; thick and heavy with large 'T' flanges. Minor surface losses, general wear overall and deposits present. Depicted nude, as is common, wearing only multi-layered ear ornaments. One leg reattached, small losses along the break have been replaced and the break line restored. Light erosion and minor losses around the mouth, eyes and nose. This example is realistically sculpted, showing large eyes and face paint representing ritual scarification or facial tattooing. The nicely burnished surface shows ample deposits, light surface wear and some fire clouding on the back of the head. Inherited from his father who was a member of the Peruvian Consulate in Argentina, originally collected prior to 1970. Also the tail and rear legs have been partially restored, but it is mostly original and appears complete. The legs support a spherical bowl with a ridged shoulder and topped by a flared spout. Likely a depiction of a stylized bird head or the head of the mythological dragon creature. It has two barrel-shaped chambers with footed bases, joined at the sides and again by an arched strap handle. The front is rounded (domed) but the reverse is flattened to provide more comfort and stability as the vessel was carried across the back via a woven trump-line that looped through the handles and across the carrier's forehead. One small handle chip has been restored and there is light pitting, mostly around the bottom and the spout, otherwise intact and original. Constructed from buff (tan) terracotta with a burnished orange-red slip on the figure and spout. Assembled from approximately eight original pieces with restored break lines, but appears intact. The head, one hand and both arms reattached at the shoulders with break lines restored. A single stress crack, that went from the outer edge toward the center has been restored along with very minor paint touch ups. Some light paint loss and deposits overall, as would be expected. The bowl sits on three massive legs that are in the form of stylized jaguar heads. 5 — Peru 350 AD - 600 AD A Moche Canchero from Peru. 0 — Mexico 300 BC - 100 BC A Chupicuaro tripod rattle vessel. Deposits and root marks present, mostly on the underside. The elegant form shows strong Teotihuacan influence. 5 — Costa Rica 1200 AD - 1500 AD A nicely painted Nicoya figure from ancient Costa Rica. His face is expressive with pointed chin and elongated coffee bean eyes. Completely intact and original with no repairs or restoration. The collection includes vessels, human and animal figures, a tiny mace head and three working whistles . It features a seated shaman atop four conjoined globular chambers, all painted with linear and spiral designs typical of Lambayeque pottery. The tapered spout has been reattached with the break restored. Minor surface wear, dings and scratches along with light deposits consistent with age. Each section is separated by red, black and purple borders surrounding mythological 'dragons'. One foot has been reattached and the break restored. There are light stains (sticker residue) on both sides. Approx 13.5" tall x 7" across 0 — Peru 450 AD - 550 AD An exceptional Moche stirrup vessel dating to Phase IV.New members are joining as you read this, guys and girls who are looking for someone like you! The more details you provide the more accurate your matches will be.Join now and get acquainted with like-minded people without payment. 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